REFEREED JOURNAL ARTICLES

Fall 202—The NACWPI Journal, Vol. 69, No. 1 (Fall 2021), 4-11—“The Masters Speak: Comparing Basic Pedagogical Teachings of Three Saxophone Pioneer”

Fall 2020—The NACWPI Journal, Vol. 68, No. 1 (Fall 2020), 5-8—“A Brief History of the Saxophone’s Altissimo Register”

Fall 2019—The Saxophone Symposium, Vol. 42 (2019)—”The Saxophone in the National Solo and Ensemble Contest: 1928-1937”

Spring 2019—The Saxophone Symposium, Vol. 41 (2018)—“Henry Cowell and the Saxophone”

Fall 2017—The NACWPI Journal, Vol. 65, No. 2 (Winter 2017-2018)—"A Brief History of Saxophone Vibrato"

Fall 2016—The NACWPI Journal, Vol. 64, No. 1 (Fall 2016)—“The Case of the Missing Saxophones:  The Fallacy of the F/C ‘Family’”

Fall 2015—The Saxophone Symposium, Vol. 36-37 (2013-2014)—“The Symphonious Saxophone II:  A Quantitative Analysis of the Saxophone Ensemble’s Original Literature, with a Focus on the Establishment of Standard Instrumentation”

Fall 2015—The Saxophone Symposium, Vol. 36-37 (2013-2014)—“The Symphonious Saxophone I:  A History of the Large Saxophone Ensemble”

NON-REFEREED ARTICLES

Fall 2021—The Instrumentalist, October/November 2021, 18-19—“Alternative Practice Strategies”

Summer 2021—The Instrumentalist, June/July 2021—“Stepping Towards the Stratosphere”

Spring 2021—The Instrumentalist, February/March 2021, 18-19—“Middle or Side? Guidelines for Saxophone Placement”

Fall 2020—JazzEd, October 2020, 20-21—“Teaching Jazz Style Through Guided Listening”

Fall 2020—The Instrumentalist, September 2020, 22-24—“Saxophone Trill Fingerings”

Fall 2019—JazzEd, November/December 2019, 18-19—“The Sky’s the Limit!  The Soprano Saxophone in Jazz”

Fall 2019—The Instrumentalist, October 2019—”So You Want to Be A Music Major?”

Spring 2019—The Instrumentalist, March 2019—“The Tenor Saxophone”

Summer 2018—The Instrumentalist, June 2018—“Duet Club”

Fall 2017—JazzEd, November/December 2017—"Teaching Jazz Through the Big Band"

Fall 2017—The Instrumentalist, November 2017—“What Students Need to Know About Practicing”

Fall 2017—School Band and Orchestra, October 2017—“A World of Difference: Instrumental Music Education in France”

Fall 2017—The Instrumentalist, October 2017—“Tricky Trills for Saxophone”

Fall 2017—Teaching Music, October 2017—"Stop the Pops: The Secrets of Saxophone Articulation"

Spring 2017—Saxophone Today, May/June 2017—"The Saxophone Music of Robert Lemay"

Spring 2017—JazzEd, April/May 2017—“Teaching Jazz in the ‘Classical’ Lesson”

Spring 2017—Saxophone Today, March/April 2017—“The Saxophone Music of Francois Rosse”

Spring 2016—Saxophone Today, January/February 2017—“Growing Your Own Repertoire”

Fall 2016—Saxophone Today, November/December 2016—“The European University of Saxophone”

Fall 2016—JazzEd, October 2016—“Getting ‘The Sound’”

Fall 2016—Saxophone Today September/October 2016—“The Life and Music of Saxophonist Kathryne E. Thompson”

Fall 2016—School Band and Orchestra, September 2016—“Inside the Mind of the Adjudicator”

Summer 2016—Saxophone Today, July/August 2016—“Himie Voxman and the Saxophone”

Summer 2016—The Instrumentalist, June/July 2016—“Woodwind Clinic:  Stop Sax Squeaks”

Spring 2016—Saxophone Today, May/June 2016—“The 2016 North American Saxophone Alliance Biennial Conference, Lubbock, Texas”

Spring 2016—The Instrumentalist, April 2016—“Woodwind Clinic:  Starting Low Notes on the Saxophone”

Spring 2016—Saxophone Today, March/April 2016—“The Saxophone Music of Leslie Bassett”

Spring 2016—Saxophone Today, January/February 2016—“The Life and Music of Gustav Bumcke”

Fall 2015—The Instrumentalist, December 2015—“Woodwind Books for Band Directors”

Fall 2015—Saxophone Today, November/December 2015—“The Saxophone Music of David Gillingham”

Fall 2015—The Instrumentalist, October 2015—“Saxophone Chamber Music”

Fall 2015—Saxophone Today, September/October 2015—“The 17th World Saxophone Congress”

Fall 2015—School Band and Orchestra, September 2015—“Playing Both Sides of the Horn:  Approaching the Saxophone as a Classical and Jazz Instrument”

Summer 2015—Saxophone Today, July/August 2015—“Saxophone Music by Composer Dimitri Terzakis”

Spring 2015—Saxophone Today, May/June 2015—“Saxophonist Edward Lefebre & Composer Caryl Florio:  The Earliest American Saxophone Repertoire”

Spring 2015—School Band and Orchestra, May 2015—“Alternate Fingerings for Saxophone”

Spring 2015—The Instrumentalist, April 2015—“Woodwinds on the Field”

Spring 2015—Saxophone Today, March/April 2015—“The Earliest Saxophone Repertoire, Part II”

Spring 2015—Saxophone Today, January/February 2015—“The Earliest Saxophone Repertoire, Part I”

Fall 2014—Saxophone Today, November/December 2014—“The Saxophone Literature of David Biedenbender”

Fall 2014—The Instrumentalist, November 2014—“Intermediate Solo Repertoire for Woodwinds”

Fall 2014—School Band and Orchestra, October 2014—“Making a Case for the Bass…Saxophone”

Fall 2014—Saxophone Today, September/October 2014—“Sigurd Rascher & German Composers”

Summer 2014—Saxophone Today, July/August 2014—“The Saxophone Works of Composer Robert Jager”

Summer 2014—The Instrumentalist, June/July 2014—“Woodwind Clinic:  Differences in Clarinet and Saxophone Pedagogy”

Spring 2014—Saxophone Today, May/June 2014—“Schoenberg, Berg, Webern, and the Saxophone”

Spring 2014—The Texas Bandmasters Association’s Bandmasters Review, April 2014—“Unlocking the Secrets of Saxophone Articulation”

Spring 2014—Saxophone Today, March/April 2014 (Online Magazine)—“The Spectral Saxophone: Grisey, Harvey, Lindberg”

Fall 2013—Saxophone Today, January/February 2014—“Polystylism in William Albright’s Fantasy Etudes for Saxophone Quartet”

Fall 2013—The Instrumentalist, December 2013—“Woodwind Clinic:  Caring for Single Reeds”

Fall 2013—The Instrumentalist, September 2013—“Woodwind Clinic:  Teaching Saxophone Vibrato”

Spring 2013—The Instrumentalist, April 2013—“Woodwind Clinic:  Getting Saxophonists in Tune”

Fall 2012—The Instrumentalist, September 2012—“Woodwind Clinic:  The Easy Move From Alto Sax”

Summer 2012—School Band and Orchestra, August 2012—“SOS:  Save Our Saxophones...With Quartets This Fall!”

REVIEWS

Spring 2021—The College Music Symposium, Vol. 61, No. 1 (Spring 2021)—Recording Review of Wax and Wire by Lattitude 49

Fall 2020—The Saxophone Symposium, Vol. 43 (2020), 103-104—Book Review of From the Inside Out by Mark Watkins

Fall 2020—The Saxophone Symposium, Vol. 43 (2020), 102-103—Recording Review of Launch by the Admiral Launch Duo

Fall 2019—The Saxophone Symposium, Vol. 42 (2019)—Review of SaxoVoce by Ogni Suono

Summer 2019—American Music Teacher, Vol. 68, No. 6 (June/July 2019)—Review of World Music Celtic Play-Along Saxophone, ed. by Martin Tourish

Spring 2019—The Saxophone Symposium, Vol. 41 (2018)—Review of Single Reed Expressions, Vols. 1-8 by Ronald L. Caravan

Spring 2019—The Saxophone Symposium, Vol. 41 (2018)—Review of saxophone quartets from Cayambis Music Press

Spring 2019—The Saxophone Symposium, Vol. 41 (2018)—Review of Glass Dances by Eddie Sundra

Fall 2017—The NACWPI Journal, Vol. 65, No. 2 (Winter 2017-2018)—Review of Between the Walls by Lori Ardovino

Fall 2017—The NACWPI Journal, Vol. 65, No. 2 (Winter 2017-2018)—Review of The Woodwinds: Perform, Understand, Teach by James L. Byo

Fall 2017—The NACWPI Journal, Vol. 65, No. 1 (Fall 2017)—Review of Playground on a Hill by Shao Fern Teo

Fall 2017—The NACWPI Journal, Vol. 65, No. 1 (Fall 2017)—Review of Sound the Trumpet, Beat the Drums by Bruce Gleason

Fall 2017—The NACWPI Journal, Vol. 65, No. 1 (Fall 2017)—Review of Woodwind Instruments: Purchaing, Maintenance, Troubleshooting,and More by Charles West

Spring 2017—The NACWPI Journal, Vol. 64, No. 2 (Spring 2017)—Review of Woodwind Methods by Charles West

Spring 2017—The Saxophone Symposium, Vol. 38-39 (2015/2016)—Review of A History of the Saxophone Through the Methods Published in France:  1846-1942 (ed. by Pascal Terrien)

Fall 2016—The NACWPI Journal, Vol. 64, No. 1 (Fall 2016)—Review of The Rascher Reader, ed. by Lee Patrick

Fall 2016—The NACWPI Journal, Vol. 64, No. 1 (Fall 2016)—Review of Guide Book for the Saxophone Teacher of Children and Youths Ages 7 through 21 by Carina Rascher